Vertical seniors' facility graced with valour artwork
A Sydney sculptor’s artwork draws on a bushfire analogy to architecturally grace the striking new RSL LifeCare Birdwood Park development in Newcastle.
RSL LifeCare Birdwood Park is a 4900 m2 vertical aged-care and retirement living facility located in Newcastle’s CBD, comprising residential aged-care facility Badcoe House and retirement living residence Long Tan Village. Designed by EYE Architects, the development is reported to be the first vertical aged-care and retirement living facility for Newcastle. Long Tan Village offers 76 two-bedroom (plus study) independent living units and Badcoe House, a 60-bed residential aged-care facility, offers 24-hour care and incorporates the high-quality and carefree environment typical of RSL LifeCare’s retirement facilities and nursing homes throughout NSW and the ACT.
A sculpture and artworks celebrating the transformational power of valour and patriotism have been unveiled at the facility, with the central works adorning the entrance to the building and extending to elegantly decorative carpark screens, where a walkway through to the main street is proposed.
The work by internationally recognised Sydney sculptor Vivienne Lowe was commissioned on behalf of RSL LifeCare by leading commercial builder Hansen Yuncken, as a permanently striking memorial to the bravery of servicemen and women in Vietnam, exemplified by Major Peter Badcoe VC.
The central 2.5 m-high, stainless steel and glass Valour Sculpture and accompanying artworks are created from permanently beautiful materials with themes to create an enduring memorial intended to inspire the thousands who will pass by it over generations.
Lowe says in creating the Birdwood Park Valour Sculpture, she was inspired by the native Hakea seed, whose capsule is a craggy, woody and dense form which safeguards its seed. Like many native plants, it can take an extreme stress such as a bushfire for the seed pod to release the seed, thus ensuring the plant species’ survival.
“The Valour Sculpture uses the analogy of the seed pod and its release of the seed to symbolise bravery in our soldiers,” she said.
“The colours of Major Peter Badcoe’s medal ribbons are introduced in the form of the glass seed, to symbolise valour. It’s sometimes said that every now and again people ‘show their true colours’, and similarly this rainbow of colours in the sculpture symbolises a valour; a valour which is inside us all, and which can sometimes be revealed by our soldiers in extreme times, such as in war.
“Under circumstances where extremes warrant extraordinary behaviour, it can manifest as heroic actions, such as in Major Badcoe’s deeds in the Vietnam War. The outer shell of the seed capsule sculpture is blackened as if in a bushfire, or ‘under fire’ in our soldiers’ case.
“The metallic blue highlights give the work a more contemporary, less literal look, to show it is representational. The polished mirror finish steel on the inside of the seed capsule reflects the colours of the glass ‘seed’, creating an ethereal image of ‘valour’ onto its surface. It reflects the viewer’s image as well. In many respects, for most people, the comparison of one’s own bravery, contrasting with the deeds of these servicemen, reminds us of how brave they were.”
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